Berlin things

Countless things were invented, manufactured or used by the people in Berlin. Be it the construction kit, the gold ruby glass or a fresco of the dance of death: there is an exciting story behind each of them.

„Sharmins Notiz“, der Zettel den Sharmin im Gefängnis schrieb.
© Kulturprojekte Berlin und Stadtmuseum Berlin | Foto: Oana Popa-Costea

In My View: Kaey | Museum Ephraim-Palais

As a trans* activist, performer and drag queen, Kaey regularly performs on Berlin's stages. Kaey has also delighted audiences at the Museum Ephraim-Palais: on the admission-free museum sunday, she read children's books with a lot of fun and good humour as part of the "Drag Story Hour" in the "BerlinZEIT" exhibition.

Anet-Commode

The Anet chest of drawers is part of the Stadtmuseum Berlin’s “Reichsbank furniture” collection. But how did this piece of French furniture end up at the Märkisches Museum, which specialises in the history of Berlin and Brandenburg? In this essay, we will provide insight into ongoing provenance research.

The horse’s head on the Quadriga

This horse’s head is all that remains of the original Quadriga, the sculpture that sits atop the Brandenburg Gate in Berlin. But why did sculptor Johann Gottfried Schadow (1764-1850) design the Quadriga in the first place? And what role did Napoleon play in it?

The Märkisches Museum’s “Special Silver Inventory”

Nearly five hundred silver pieces, including spoons, charm bracelets, children’s rattles and other objects, are stored in a metal cabinet in the Stadtmuseum Berlin’s collection depot. The objects originate from compulsory levies placed on Jewish people from 1939 onwards, and provide insight into a project that the Stadtmuseum Berlin has been carrying out since 1996 to clarify the provenance of each individual object.

The “Reichsbank Furniture”

They came to the Märkisches Museum as a transfer from the Ministry of Finance of the GDR in the 1950s: 47 French antiques from the 18th and 19th centuries. What does French furniture have to do with Berlin's urban history? A contribution from provenance research.

The Revolutionary Public 1848

Using the example of 33 historical posters from the “Revolution” room of the BERLIN GLOBAL exhibition, curator Martin Düspohl explains the different positions, backgrounds and nuances of the public texts.

Meeting in a coffee cup: Menorah. Crescent. Cross.

In the room "Free Space" at BERLIN GLOBAL there is an area dedicated to the theme of faith. There is a cross-religious sculpture - originally intended as an alternative to the cross on the dome of the Humboldt Forum. In the series "Favourite Object" we present the sculpture.